Time after time, he amazed his audiences by slipping from the devices in which he was placed, making him be one of history’s finest escape artists. This included straight jackets, tanks of water, and various metal handcuffs and chains, which seemed to be outside of the possibility of escaping. He had amazing control over his body functions and could bend, twist, or manipulate himself as needed to escape from wherever he was placed. The act of escape was part of his second talent.
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The first was that he was an amazing showman who knew how to create a spectacle in order to raise interest in his shows.Īs an example, he put on a tour in Europe in which he challenged police departments to lock him in their handcuffs only to amaze them as time after time he managed to escape. He considered his first public performance as having started on October 28, 1883, where he performed his trapeze show in Jack Hoeffler’s 5-cent Circus. As a child, he started his first performance experience at the age of nine as a trapeze artist called ‘Ehrick, the Prince of Air’. These changes in identity can be related to his physiological skills in the sense that he was under constant transformation. His last name was created through his admiration of Jean Eugene Robert-Houdin, a French magician.
His birth name was Eric Weisz, which was changed to a German version of Erik Weiss as he immigrated with his family.Īs friends called him Ehrie, which sounded remarkably like Harry, he came to be named publicly as Harry. Harry Houdini was born in Budapest, Hungary, in 1874, moving to Appleton, Wisconsin in 1878 with his mother and siblings.
The training of his body provided him with an extraordinarily powerful level of control, and Harry Houdini was able to create some of the most wondrous performances of escape art in history.
Through the control of his breathing and training his muscles individually rather than in groups, he was flexible and strong in ways that most people are not. Houdini used everything from individually trained toes that performed like fingers to a digestive tract, in which he could hold a key until such time as he needed it.
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